Perhaps it may turn out a sang,
Perhaps turn out a sermon.

-- R. Burns Epistle to a Young Friend

Friday, June 17, 2011

Every Pearl Has Its Price

Vengeance is mine, and recompense, for the time when their foot shall slip; for the day of their calamity is at hand, and their doom comes swiftly.’ … See now that I, even I, am he, and there is no god beside me; I kill and I make alive; I wound and I heal; and there is none that can deliver out of my hand. – Deuteronomy 32:35,39 (ESV)

Do not say, “I will repay evil”; wait for the Lord, and he will deliver you. – Proverbs 20:22

John Wayne movies are practically a genre unto themselves. From Stagecoach to The Shootist, Wayne looms over the history of American cinema as few other figures have. Almost all his films are entertaining, even if, like me, a person has seen them multiple times. A few are really bad. Many are classics: Liberty Valance, Stagecoach, The Searchers, The Sands of Iwo Jima, Red River, and the list could go on. Some of the flaws in a typical John Wayne movie are really flaws in a typical John Ford movie, but even the flaws can be enjoyable. Someday, perhaps, I will do an entire post on what John Wayne and John Ford mean to me. But I really want to talk about today is True Grit, the 1969 film for which John Wayne won an Oscar and which was remade by the Coen brothers last year.

I did not go see the new True Grit in the theaters as Joan recommended, but I did pick it up last week on Blu-Ray. Directed by Henry Hathaway in 1969, the first iteration of True Grit is very much a John Wayne vehicle. It is the tale of an adventure seasoned with masculine comedy absent any vulgarity, slightly over-the-top, and positive. Adapting from Portis’ 1968 novel rather than the first movie, the Coen brothers created a film that is, in many ways, superior, with better performances by several of the cast embedded in a narrative that is both richer and more satisfying but also more troubling.

At the very beginning we hear the voice of Mattie Ross telling us, “You must pay for everything in this world, one way and another. There is nothing free except the grace of God.” In the context of the flight to escape by the murderer of Mattie’s father, we naturally think that Tom Chaney is the one who must pay for his crime, and that is true. Chaney does pay, but so do all those who live in this world. Mattie must pay her way. She pays for the help she needs to track down her father’s killer with money, but she also pays with a loss of her childhood innocence. Though she is by nature extremely intelligent, serious and sober, she possesses noble, if slightly unrealistic, notions of justice and righteous action. Her view, at least initially, is Old Testament-based in that she believes the justice of her cause alone will enable her to prevail. This is a naïve view, not so much with regard to prevailing but with regard to the cost of prevailing.

The climatic confrontation takes place in the significantly name Winding Stair Mountains. Our ascent through this life, though the old King James calls it ‘strait’, is hardly straight. The path to life and to grace has many strange twists and turns. All actions in this fallen world have reactions. Our best efforts often recoil back upon us in ways we could not anticipate. Even when we possess the wisdom to foresee, we sometimes feel constrained to carry through despite the consequences. Most of us know or will learn a “secret” which is that a person can have and do about what he or she wants -- only one must accept the cost. Like Mattie, God is a flawless bookkeeper. The books will balance in the end, and they will balance on every individual account regardless of how we may justify our actions.

If the law of action and reaction, of karma or whatever one chooses to call it were all then we would be trapped in a deterministic universe, hopeless in the face of infinite chain reactions and falling dominoes. But one thing is truly and truthfully free, and that is the grace of God through Christ Jesus. Christ alone is able to write, from His infinite store of righteous obedience, Paid In Full upon the account of each and every one of us. He is able to break the chain of consequence and release us from the bondage of ricocheting reactions.

Whether a person chooses to call Mattie’s actions vengeance or justice makes little difference. Externally the results can be indistinguishable. It is our internal balance that determines whether we keep our footing or are cast down into a pit of death. The toxin of vengeance is deadly indeed. Unchecked it will destroy us completely. Even when dealt with quickly, the damage is often extensive and the losses heartrending. But the grace of God does not abandon us.

Our journey, like Mattie’s, can become nightmarish, surreal in its horrors, flooded with fear, pain, and dread. Yet it is here most of all that we find ourselves in the “Everlasting Arms” of God’s grace, carried by Him, the karmic chain sundered. We are the Cross of Christ, and He bore us in it from death to life. “There is nothing free except the grace of God.”

4 comments:

Rick said...

Cooncur, re True Grit, the new one.
I saw it on the silver screen and I just received it from NetFlix. Hopefully get to enjoy it again this weekend.
The new one is really an homage to the original and to Wayne, not just a remake. Well done like an archetype to The Western itself. And I really like how they didn't duplicate that signature scene by Wayne with the rifle and pistol. They changed it a little so he could always have that, seemed to me.

robinstarfish said...

Excellent review, Mush. On all fronts.

mushroom said...

There was an article in my NRA American Rifleman a while back about Hollywood guns that mentioned the Duke's big loop '92. The author had seen it on display and could make out the welds where Yakima Canutt and Wayne had rebuilt the loop for Stagecoach to make it more distinctive and dramatic. It also looks cool when twirled.

Rossi now makes a mare's leg like the one carried by Josh Randall in "Wanted" or Zoe in "Firefly". Like the big loop, they don't really have a purpose other than looking good -- NTTAWWT.

The Missouri guerrillas usually carried extra pistols on their saddles, as well as on their person, like Josey Wales -- the fastest reload for a cap-and-ball pistol being another cap-and-ball pistol. Revolvers make more sense for the mere mortal horse guerrillas. The Duke was on a different level.

Rick said...

Indeed. When my friend saw the original Grit, Before I did, I swear he said Wayne was using two rifles. Wayne could make a person think they're seeing things. Or hearing things.